Local Heart, Global Soul

December 26, 2017

The History Of Baarle In Glass…

In my final post about the stained glass at the “den Engel Hotel” (the Angel Hotel) I cover as many of the reception rooms as I can reach, photographing the glass panels as I go. The windows are lovely, each theme and item telling a story integral to the history of Baarle-Nassau / Baarle-Hertog and the many stories that have been woven into that history over the centuries. A lot of thought has gone into making these beautiful windows. I applaud the idea, I love the result. This is a hotel clearly interested in it’s history and place within it’s community.(still with previously “windows” resized photos)

(photograph © Kiwidutch)

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December 25, 2017

More Stained Glass At The Angel…

The second morning Himself and I were at the “Den Engel Hotel” (The Angel Hotel) we went down to breakfast very early. Wishing to combine more sightseeing on the ground and a trip home in time to collect the kids in a timely fashion for the coming school week, we decided not to risk everything by getting home too late. The restaurant had one or two other early birds, but for the most part we had the place to ourselves. The stained glass windows I showed you earlier were just the start of what was on show here… Just as well we had made an early start because I needed as much time as possible to check them all out…(still with previously “windows” resized photos)

(photograph © Kiwidutch)

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However you spend this day, I hope you are with people you love… Merry Christmas1

November 18, 2017

Glistening Colours In “Den Engel” Hotel…

Lovers of stained glass will be in heaven when they enter the “Den Engel” (The Angel) Hotel in Baarle Nassau, in the southern part of the Netherlands. When Himself had dinner in the restaurant the evening before and I saw some of the windows there, I had no clue that there would be even more to see when we went to breakfast the next morning. This photographic post shows some of the amazing craftsmanship on show in this wonderful building.

(photograph © Kiwidutch)

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http://www.hoteldenengel.nl/
Hotel Den Engel / Baarle Nassau / (Baarle-Nassau/Hertog) The Netherlands

November 17, 2017

History And Humour In Stained Glass…

(photograph © Kiwidutch)

Himself and I stayed at “Den Engel Hotel” (the Angel Hotel) in Baarle Nassau early in the year, and when we went for dinner on the first evening I was immediately captivated by the interier of the restaurant.

When we went down to breakfast the next morning I made sure the camera was ready so that I could get photographs of the beautiful stained glass windows there.

The windows are at the most, decades old rather than centuries old, but are arranged so that the stories of the Inn and adjacent meat market are told, as well as it’s long past.

The building is featured, the Belgian and Dutch flags, the spire of the nearby church, the Inn’s cat sits under a table whilst a patron orders another beer, in the next panel someone sleeps on a table after consuming one too many whilst his friend looks worse for wear.

History and humour tell of the local history. Hunters, wildlife and livestock feature too, all important in the area both in the past and still today. Cherubic angels feature in honour of building namesake, all in all the stained glass windows are a delight.

(photograph © Kiwidutch)

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http://www.hoteldenengel.nl/
Hotel Den Engel / Baarle Nassau / (Baarle-Nassau/Hertog) The Netherlands

 

August 7, 2017

Milk Maids Bring The Milk Destined To Become Cheese…

Filed under: ART,GOUDA,Gouda: De Waag / Weigh House,PHOTOGRAPHY,Stained Glass — kiwidutch @ 1:00 am
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(photograph © Kiwidutch)

Looking through the ropes that suspend the large weigh scales in “de Waag” (Weigh house) in Gouda, I spy a large leaded window.

Sitting on the floor and resting against the wall, this stained glass piece depicts two milk maids bringing milk back to the dairy.

Their buckets are suspended from the wooden yokes they are wearing, they are closing the gate of the field (or indeed they may be opening it) it’s difficult to see if they have just arrived to bring fresh buckets to the man milking the cows in the field or if they are leaving with full buckets from cows previously milked.

Both the man and the milk maids are dressed in simple regional  farm working clothes of a style that could probably date from anywhere between the 17th to 19th centuries.

Rural clothes were usually practical and simple and apart from their Sunday best and possibly one or two other special costumes, the working clothes were lived in for most of the week. I attempt to get close-up photographs but the proximity of the weigh scales, and my efforts to avoid them and the intruding ropes,  mean that some of the photographs were taken on rather a strange angle. The style of the stained glass suggests that it not really “old” old, certainly not medieval.  I’d estimate that it was made around 1900-1910 but that’s just a pure guess, based on the style of other stained glass pieces I have seen. Then again, now that I have said that, someone will probably come forward and tell me it was made a few months ago!

(photograph © Kiwidutch)

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Wikipedia: “Waag” (Weigh House) / Gouda/ The Netherlands / (Dutch text only)

May 3, 2016

Stained Glass That Illuminates The Arts And Trades…

(photograph © Kiwidutch)

(photograph © Kiwidutch)

I am visiting the Rijksmuseum in Amsterdam with two friends.

Since we arrived at opening time on a Sunday we decided that it would be a wise idea to go and see the “Nightwatch” straight away before the bus tours and crowds rolled in and made viewing difficult.

We head towards the wing where the painting is and come to two stunning stained glass windows.

I take photographs,  but being at wheelchair height has distinct disadvantages.

My friends are keen to enjoy the views around us but also eager to see the “Night watch”.

The window has a theme of the Arts, and also some of the trades with some of the panels are labelled “werktuigkundige” (a mechanic / technician holding a large cog in one hand and a compass in the other.) , “visscher” (a fisherman holding two large fish in one hand and a net and pole in the other), and “boer” (a farmer holding  a sheaf of wheat in one hand and a spade in the other).

There are also panels depicting men holding artists equipment and the names of Dutch painters:  “Lucas van Leyden” (1494 – 1533,  skilled in the arts of woodcut, etching, engravings, draughtsmanship and painting.

“Willem van Heerle” (15th century engraver and painter), “Apelles.” (4th century BC,  a renowned painter of ancient Greece) and “Rembrandt” (Rembrandt Harmenszoon van Rijn , 1606 -1669,  painter, etcher and draftsman).

Above each of the painters are panels depicting the making of stained glass, painting at an easel, fresco paining and illuminating manuscripts.

There are lovely flower and grape with grape vines frames around the large panels, the sides and the naming panels at the bottom, I get a few close up photographs of those at least.

Even if I were able to stand up, these windows could not be done justice without me bringing a far better zoom lens and a tripod.

This is yet another thing on my “to-do” list, there is detail here yet to be seen, I aim to find it one day in the future.

(photograph © Kiwidutch)

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Amsterdam: Rijksmuseum

August 29, 2015

The Last Glimmers Of Light…

There were too many photographs to fit into yesterdays  post so today’s post is a continuation of it and the very last of the stained glass windows here. Actually there were more, but the windows were further away and I thought that the resulting photographs were not worth posting, the detail mostly lost because my zoom lens was not sufficiently powerful to capture them at their best. The lack of photo quality was definitely the fault of my camera  rather than the windows… My apologies if you are sick of the sight of stained glass, this is the last post about glass for a while I promise!

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 Basilica of Saint Servatius / Maastricht

August 28, 2015

Raising My Eyes To The Stained Glass Again…

(photograph © Kiwidutch)

(photograph © Kiwidutch)

I’m finishing my tour of the Basilica of Saint Servatius in Maastricht.

As my regular readers will know, I love stained glass, so a Basilica full of the stuff is like an intoxicating drug.

There are roundels of celtic-like interwoven floral designs, heraldic shields and crests, stunning black glass painted background motifs that connect the larger coloured pieces and large stand out central panels which are round or semicircular in most cases, surrounded by detailed backgrounds.

I do laugh though, both of the heraldic lions that stand either side of a shield have remarkably human faces, probably because in all likelyhood the glass artist had never seen a lion in real life so made do as best he could.

There is also real artistry in the intricate painted letters on the glass, the charactors are more uniform than I would have imagined possible. If you contrast this to the lettering in the coat of arms panel with crowned lions and a large crown right next to it, which I think is supposed to have some sort of royal connection, since the “je maintaineri “ (“I shall maintain”) motto which is still on the Dutch royal family coat of arms appears almost clumsy by comparison.

Of course it was usual for there to be a whole team of glass artists working on a single window at one time so probably these lettering examples were made by different people.

If you are wondering why the words are written in French rather than in Dutch is it probably because French was the official language of The Netherlands for some three hundred years when France ruled over a considerably larger land area than it does today.

In the bottom of one of the figure panels where two (priests ?) are kneeling, a little read book lays in the green grass, the book is tiny in the figure photograph but I managed to get a detailed close up of it at the top of the panels in the second from bottom row of glass in the big window. Even such a tiny book has detail on the clasp, and it’s this possibility to look at a window like this a hundred times and discover something new each time that so fascinates me.

Lastly there are some very modern windows, I personally like them a bit less than the more traditional glass, but fully appreciate the amount of work and skill needed to make them. They have very dramatic colour and movement that isn’t really possible in the old style and are beautiful in their own way.

(photograph © Kiwidutch)

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st Servatius stained glass 2 (Small)

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 Basilica of Saint Servatius / Maastricht

August 18, 2015

Seriously, I NEED A Twelve Step Programme…

Someone needs to lock me up because I’ve become captivated by stained glass. Is there a Stained Glass Anonymous  that anyone knows of?  A twelve step programme I could apply? Who needs drugs when you can get high on the sheer enjoyment of pattern, light, form, composition, colour and detail in stained glass windows like these?I’m still inside the Basilica of Saint Servatius in Maastricht, situated in the southern Dutch province of Limburg and decided to follow yesterday’s stained glass post with another one. Yet again the detail amazes me…

(photograph © Kiwidutch)

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 Basilica of Saint Servatius / Maastricht

August 17, 2015

Gleaming Glass, Not Medieval But Beyond Doubt Gorgeous…

(photograph © Kiwidutch)

(photograph © Kiwidutch)

Another post from the stunning Basilica of Saint Servatius located in Maastricht, and yet again I’m back to the stained glass windows.

This is a church that has almost all Victorian made stained glass windows, rather than far older medieval ones.

Actually I don’t mind at all because the Victorian era artists, designers and the craftsmen behind the mass production of  large church windows at the time were all highly skilled and in my eyes, exceptionally gifted when it came to combining colour, composition and detail in their windows.

There is of course more than one specialist trade when it comes to the physical making these windows: primarily there are the actual makers of stained glass who fit the various pieces together to make the whole but there are also glass painters, who paint the amazing detail  of flora, fauna, figures onto tiny pieces of glass.

I’ve had an interest in learning to paint on glass for a while now, but exceptionally low concentration due to medication has been frustrating and  has put me off drawing almost all together. Also,  I have never seen a class for just the painting on glass instead of actually producing a finished stained glass product.One of the beauties of Victorian stained glass is the amount of detail given not just to the main figures in the story being told but also in the borders and “frames” that surround each story panel. (sigh) Never mind me, I’m drooling again.

(photograph © Kiwidutch)

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 Basilica of Saint Servatius / Maastricht

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