Local Heart, Global Soul

November 17, 2018

Pounamu, Jade, It’s All Greenstone To Me…

(photograph © Kiwidutch)

On our way back from Franz Josef glacier we arrive again in Ross. This time we are not here to check our luck finding gold, but to hopefully collect another New Zealöand treasure: Pounamu , or as readers may know it: Jade.

Mountain Jade Company website tells us:  “Jade is a semi-precious stone that goes by many names, including nephrite, greenstone and pounamu.

Typically green or black in colour and often flecked with stunning hints of gold and cloudy milky hues, jade has been revered by cultures around the world for thousands of years.

New Zealand’s European colonists typically refer to jade as greenstone, while Maori people call it pounamu.

Elsewhere, geologists call the stone nephrite while gemologists know it simply as jade. Despite regional differences, these names all refer to same material

I already have a (cow) bone “Hei Matau” (fish hook) which I wear every day. For me this is a special piece first because it was a gift from an Aunt who is a member of the Kaikoura Ngāi Tahu southern group of Maori. The fish hook is the symbol of the “Mainland” (South Island) and in Maori legend Maui used a line and fish hook to drag the North Island out of the depths of the sea. Since I am South Island born and bred and now live on the other side of the world this symbol is my little piece of “home” that I wear every day.

I have always been on the look out for a companion piece in Jade to go with my bone Hei Matau but so far, places like the souvineer shop we visited in Picton just don’t have the simple style I am dreaming of finding. Their pieces are too tourist orientated for my tastes. Kiwi Daughter is also on the lookout for a special piece of Jade for herself so it’s to one of the jade /pounamu / greenstone carvers that we go.

The artist is Steve, who carves amazing pieces of all shapes and sizes. His workshop shows pieces in progress, the walls have photographs of native birds (one of his inspirations) and around the walls the jade is on display. Steve has lost a leg (I didn’t ask how) so we joked about having one working leg each, and he explained about how work on Jade is slow, delicate work where a design can not just be imposed on the stone, it has to be worked out gently around the imperfections and grain of the stone.

We also learn that there are different grades of Jade, the most “pure” being of course the rarest and most expensive. There are probably more than fifty pieces on show and I learn later that from those Steve had put out just a couple of the best quality.  Of course this not to say that the majority of the pieces were low quality, because they certainly were not. That would be like asking you if you wanted to turn down 18 carat gold just because it wasn’t 24 carat gold. Would you do it? Of course not. The Other jade is of seriously good quality, it’s just that it is possible, on occasion to find rare pieces of stone that are almost perfect. Steve had a few such pieces. It turned out that even though one display was higher up than the rest, and contained a mixture of styles, I was immediately drawn to one piece. It was long and slim, imagine a sword blade but with slightly softened edges. This was the piece I’d been looking for, for all these years. To my amazement I’d also picked out one of these rare pieces of Jade. Kiwi Daughter bought herself a beautiful small piece, also of very good quality, a simple, elegant piece of pounamu that she too wears every day.

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

Jade, with the grain clear to see…

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

Below: this piece was massive.. and so tactile, as Little Mr. could attest. We all wanted to touch this one. Little Mr’s had also for scale…

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

September 27, 2018

Robert Falcon Scott, As Sculpted By His Wife…

(photograph © Kiwidutch)

This is the statue of Robert Falcon Scott, the Antarctic explorer who lost the race to be first to the South Pole and who, with his team of men, perished on the ice.

The statue was damaged in the 2010/11 earthquakes and after breaking in half needed extensive restoration.

In these photographs Scott is missing the staff that he was holding in his right hand. What makes this statue especially notable is that is was sculpted by his wife, Kathleen Scott, in Italy in Carrara marble and it bought out to New Zealand after the end of the First World War.
Wikipedia tell me that;

“The inscription on the plinth, which is one of his last diary entries, reads:

‘I do not regret this journey, which shows
that Englishmen can endure hardships,
help one another, and meet death with
as great fortitude as ever in the past.”

The inscription had become illegible by 1922 and a separate marble plaque with this text was installed at the entrance to the reserve. Another plaque lists the names of the five men who died.”

The link to the Wiki page shows both the broken statue and it in it’s original state, with the staff in his hand. (it looks more “complete” with the staff in my opinion).

I’ve taken multiple views of the statue for my artistic inspiration files.

Wikipedia / Robert Falcon Scott / Statue / Christchurch / New Zealand
https://en.wikipedia.org/wiki/Scott_Statue

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

January 7, 2018

A Quiet Spot To Light A Candle…

(photograph © Kiwidutch)

Lastly, when leaving Baarle-Nassau / Baarle-Hertog for the last time, we come across what I first thought to be a Catholic Cemetery.

Instead it shows what appears to be the Stations of the Cross, each of the scenes in a small enclosed box to protected it from the elements.

An information board close by reads: “Kapel van Nijhoven” (Saint Salvator Chapel / St Salvadore of Nijhoven)
Nijhoven is a very old settlement. The name comes from “nieuwe hoven” which means “new farms”.

Excavations have shown that a wooden field chapel was here as early as the post-Carolingian monastery time. In the 14th century there was a stone field-chapel which burnt down in 1585.

In the 17th century the chapel was rebuilt as a cross-formed church which was of the same size as parish churches of that time. In 1648 Protestants tore down and destroyed the contents of the church.

Miraculously a large wooden crucifix was saved which is now in the Sint Remigius church of `Baarle-Hertog. In 1807 a large part of the church was demolished and in1926 the protestant community decided to demolish the entire building.

All of the architectural ornamental elements were used to restore the Reformed church on the market (in the town) of Ginneken. In 1930 the Catholics built the current chapel on the foundations of the previous “Priesterkoor“ (Kiwi’s note: sorry, I couldn’t translate this last word, the closest I could guess was “priest” “Choir” but I know for certain that that’s not correct).The architect is the Benedictine monk Van der Laan”.

A meditation garden surrounds the grotto, and as usual Himself and I lit candles for a friend of ours who is a Catholic nun. Even in the dead of winter this is a calm and serene place and we were pleased to have stopped here before our trip home and back to the rush and roar of family life.

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

November 14, 2017

Checking Out Before Checking In…

(photograph © Kiwidutch)

Before checking into our room in “Den Engel” (The Angel) Hotel in Baarle Nassau, I have to of course check out the beautiful carved stone relief panel set into the wall on the street outside.

There is a small information plaque on the wall above it which says:

‘For centuries this street was called “Engelsestraat” (Angelstraat), named after the “Den Engel” (the Angel) Inn.

A  three-day livestock market took place at this location twice per year,  events for which the area was famous.

Max van Tilborg bought “Den Engel” in 1894 because of the existing calf and livestock trade and established a butchery on this spot as an addition to the Inn.

Since this time “Hostellerie Den Engel” has belong to the Tilborg family or as it is today, the Tilborg company.

No information is given as to the age of this stone carved piece, or the artist but I am stopped in my tracks in admiration… and a few photographs of course because this is well worth checking out as we check into the hotel.

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

October 21, 2017

Who Can Resist Stopping And Getting A Photo?

(photograph © Kiwidutch)

Sorting out my archive photo files brings many older folders to light.

The Hague doesn’t have the many canals that makes Amsterdam the tourist draw, but that doesn’t mean it doesn’t have it’s share of beautiful buildings.

Architectural detail is a passion of mine, old buildings, decorative elements, and things of beauty in brick, stone, wood, wrought iron and the like.

I also like that in the Netherlands bikes come in all shapes, sizes and styles: these ones both sport wicker baskets on the front, but the one on the left is twice as big as the one on the right.

In fact I haven’t seen a basket that big before (or since) so I was delighted to have my camera in my backpack.

I also spotted a map shop that looked inviting but we were in town for an appointment so didn’t have time to go inside. I did get a few quick snaps of one of the stunning old maps on a stand outside though. It’s a detail fanatic’s dream. Then there is a door that has decorative grate work incorporated into it and two caved figures into the stone above it, Who can resist stopping and getting a photo? Not me that’s for sure.

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

September 8, 2017

Today: Built On Sacrifices Of The Not So Distant Past…

Filed under: Architectural Detail,ART,Stone Carving — kiwidutch @ 1:00 am
Tags: , ,

(photograph © Kiwidutch)

In yesterday’s post I finally managed to see the remaining side of the “Stadhuis” (Town Hall) in Gouda that had eluded me for several visits.

Before I leave it completely there are several last pieces of stonework that grab my attention. They appear to be memorial plaques.

They are both in Dutch, and translated they read: “1940-1945” “Gouda remembers it’s men and women who died in the battle against the conqueror.

Two died as a soldiers in May 1940 and as resistance fighters W.M. Boelhouwer, W.J. Dercksen, A. de Ryke, W.I. den Burg,  A. De Korte, A.nieuwenhuysen, H.L. van Royen.

Eighteen did not return from prison or concentration camps.

Forty-six died when the city was bombed,  One hundred and thirty-seven Jewish citizens were deported and murdered, sixty citizens of the 2200 people who were forced to work for the enemy did not return. During the hunger winter the mortality rate tripled. Then when the crisis was at it’s worst God gave us liberation.‘ Then on another plaque close reads; “In the fight for order and peace in the Netherlands East Indies, the following soldiers from Gouda sacrificed their lives. J.G. Kisman, F.H.M. Visser, 1946, W. Boll, L.Hemes, J. Hofman, C.Verweij 1947, P. Deullemeijer, B.C.M. De Planque,P. Spa 1948. W. Breen, G.F. De Bruijn, J.j. Grootveld, M. Kortleven, S.Romeijn, J.C. Snaterse, J.J. Koroon 1949.”

There is also panel with a George and the Dragon style carved stonework piece, a more modern piece but still very decorative. I am always for remembering that our present day lifestyles were built on many sacrifices in the not so distant past.

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

September 5, 2017

A Change Of Direction And A Rest Before Setting Off Again…

Filed under: ART,GOUDA,PHOTOGRAPHY,Statues / Sculpture,Stone Carving,THE NETHERLANDS — kiwidutch @ 1:00 am
Tags: , ,

(photograph © Kiwidutch)

On my first visit to Gouda I managed to see just one end of the St Jans kerk (St Johns Church), by my second visit I managed to get around the rest.

Just before entering the  “Tuin van het Willem Vroesenhuys” (Garden of the Willem Vroesenuys) I got a few photographs from by the Tapijt Huis: taken over the canal looking back towards the church.

Some large trees overhung the water so I didn’t immediately see the couple who walking past on the other side.

They then also paused to look at the canal and I suddenly saw their reflections in the water as I took photographs of the little boat in the water, so in a round about way I ended up taking photos of them too.

Then later, on the other side of the park I saw a beautiful small building that looked like a chapel (but may or may not have been) and a small path that led over the canal and back around the other side of the church. After crossing the bridge I find a  stone wall with a doorway, and in the arch above the door, a stone bust of man. There was no indication of any name and he looks rather austere but must have been very important to have gotten this honour. The path immediately widens to become a small lane that services the rear side of the many cafés, restaurants and bars, and the homes above them. The church looms large over the rest of the neighbourhood, it’s changing roof structure continuing for the rest of it’s long length. This one little garden has hidden many surprises, and the bonus that it was also a still, peaceful place to pause and take a rest.

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

August 27, 2017

Poking Out His Tongue At History…

(photograph © Kiwidutch)

Just behind the Lazarus Gate in Gouda is the Katharina Gasthuis museum.

I noticed when going past the Gate that there was a face starting at me on the wall nearby.

This face was not of a real person, and more specifically, it was wooden, or maybe stone, head.

The face of the male head is poking his tongue out towards the viewer. Whilst photographing this an older couple walk past, and I say “Good Morning” in Dutch.

The gentleman asks if I know the meaning behind this head. I tell them I don’t so they explain that it’s an old fashioned sign for an apothecary.

I know that an apothecary is someone who prepares and sells drugs for medical purposes, but didn’t realise that this was a sign for one.

The couple tell me that these “signs’ told people what various shops sold, for instance the poking out tongue of this face is a gesture of taking a pill, and signs like this were because the vast majority of people could not read, so needed a visual guide rather than a written one. I think it’s a brilliant solution, and delighted that this one still survives. I take photographs of the surrounding buildings before I move on.

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

August 25, 2017

Lazarus Gate, The Only “Warning” Needed, Is That This Is A Beautiful Building…

(photograph © Kiwidutch)

At the beginning of the Willem Vroesenplein in Gouda, I come across a sweet little building.

Called the “Lazaruspoortje” (Lazarus Gate) it is a small but imposing piece of architecture.

There is an information board on the wall, in Dutch text only, which translates as: “At the end of the 16th century the German Gregarious Cool (approx 1570-1629) came to Gouda to work as a stone mason.

He made beautiful pieces, amongst others the “Bordes” (steps that go both in two directions) of the Gouda Stadhuis (Town Hall), the entry gate to the “Vroesenhuis” (sorry, I could not figure out this word, it’s “something”.. house), the facade of the Museum De Moriaan and this gate.

A long time ago it provided access to the Le Prozenhuis (lepers house) elsewhere in the city.

The relief shows the bible story of poor Lazarus and the rich man. In 1939 the gate was taken apart and rebuilt here in 1964.

Against the back wall is another gate coming from the old women’s house at the Kleiweg which was demolished in 1938. Inside the entry way there is also a “Gevelsteen” ( literally means “gable-stone”, but it is a pictorial or text facade stone that gives information)  also made by Cool of the former Looyhal” (a place used to check and inspect fabric).”

I also found a Wikipedia page that was in the Dutch language only, which gives more information. Translated into English it reads:

The Lazaruspoortje was constructed in 1609 as an entry gate for the then lepers house at the Gouwe in Gouda, by the sculptor Gregarious  Cool. Initially the lepers house was located outside the “potterspoort” (potters gate) in Gouda at the Wachtelstraat.

In 1579 the then Saint Maria convent at the Gouwe which was within the city walls, was the designated place to house lepers. In 1609 the gate at the Rotterdamse Veer was constructed which provided access to the lepers house at the back.

The picture on the gate depicts the rich man and poor Lazarus, who asks for the crumbs left over from the rich mans meal, but all he gets is the care of the dogs who lick his wounds.  The man and woman from both sides of the picture are lepers holding a “Lazarusklepper” (which could be some sort of warning sign ‘here is a leper, stay away”) and a “aalmoezenschaaltje” (a small begging bowl).

Above is a picture of Lazarus, after his death, in the lap of Abraham. Lazarus became the patron saint of Lepers. In 1940 the gate was taken apart as a result of the  expansion of the Municipal energy company. In 1965 it was rebuilt in it’s current location at Achter de Kerk. At the moment it provides access to the garden of the museum Het Katharina Gasthuis.”

I would love to come back here when the gate is open, not just to see the additional stone carved ornamentation within the entry way but also to visit the Katharina Gasthuis museum. Lazarus may have made a noise to warn people to stay away, but this place needs one to summon people to see this beautiful sight.

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

Wikipedia: Lazarus Gate / Gouda / The Netherlands (Dutch Language site only)

August 21, 2017

Detail From Top To Toe…

The detail on St Janskerk (St Jans Church) in Gouda is so prolific that it’s taken several posts here to cover it. I probably could have zoomed in on even more had my visits been longer or more in number, but that said, my visits here are far from over so who knows. I want to photograph the inside of this church though, so these will take priority over future exterior photo shoots. Much of the detail is unexpected, like the squirrel stone carved decorations under several alcoves. In short, the outside of St Jans Church is full of detail from top to toe.

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

(photograph © Kiwidutch)

Next Page »

Blog at WordPress.com.